I still don’t know what I’m gonna dress as for Purim…

my sister is apparently gonna get a Maleficent costume but I’m still not sure what to choose…

any ideas?

decepticute replied to your post “how i think they could have made it work:”

It’s just like getting a haircut when you break up, you’re ready to go on with your life.

OMG that’s great! 

i just had the silliest mental image of Megatron returning and being all like “join me Starscream and together we’ll beat these Autobots!” or something (I don’t buy his “redemption” at the end of the movie at all)

and Starscream being like

myla-lost-scrapyard replied to your post “how I think they could have made it work:”

I like to think he beated (through analysis and strategy) predacons (not necessarily killed them) and in the proces his old frame was too easily damaged by their claws, so he decided to upgrade himself to being able to fight hand-to-hand against his enemies.

I love it! 

then I guess we could just throw out the window the line about this being Starscream’s “old body” and it would actually make sense! (seriously the writers could have just left that line out and avoid this whole mess)

plus, I hated how much the show tried to make him look like such an idiot while “fighting” the Predacons (i think I’ll make a post about this insult to his character later) so I definitely like your version better!

how I think they could have made it work:

image

I’ve been thinking about Starscream’s new design in rid2015.

 no matter how I look at it  “I thought it best to adopt a look as powerful as I was feeling” is a stupid stupid reason.

you mean he fought a war and somewhere during it or immediately before it (seeing how bumblebee recognized this as Starscream’s “old look”) – chose to have a weaker, smaller frame??? Starscream is a strategist – there is no way he would do something so astronomically dumb.

but the thing is –  I do like his more colorful design and softer face, I like how similar it looks to G1 Starscream I grew up with and it fits better in a more child-friendly show like RID as opposed to his old Muselmann-y look, and I can totally understand why they would change his design (it would probably help sell more toys too…)

but, that doesn’t excuse the terrible reason they give for it, so I actually came up with 2 different ways they could make the change in his design and still have it make some sort of sense:

1. make him smaller.

think about it – Starscream having a smaller, weaker frame before the war would make sense – he would have no need for a stronger or bigger one if he wasn’t a fighter.

you could tie it up with Starscream trying to make himself similar to Megatron (grey frame with weapons on the arm and sharp claws) and how, disillusioned with Megatron, he chose to have his original body back as a way of reclaiming himself! 

it could also be a sign of Starscream realizing his mistake in trying to imitate Megatron’s style of fighting (charging head first with brute strength), and instead choosing to fight in his own way – using cunning tactics and strategy and make the new/old frame a way to further distance himself from his former “master”.

2. change the reason (or at least give one!)

we are never told why Starscream changed his frame in the first place – and I would be fine with basically any reason that would make sense!

one that I saw in some fanfiction and theories is that Megatron forcefully had Starscream body altered – be it to make him smaller and thus less of a threat or just to humiliate him. if you put it like that, again, it could tie in with Starscream trying to take back control over himself and his life from Megatron after being crushed under his pede (sometimes literally) for millennia.

or heck, just say his smaller frame was more fuel efficient and the change was necessary in times of war! literally any reason is better than no reason!

these are just my thought on the matter though, what do you think?

Gollum looked at them. A strange expression passed over his lean hungry face. The gleam faded from his eyes, and they went dim and grey, old and tired. A spasm of pain seemed to twist him, and he turned away, peering back up towards the pass, shaking his head, as if engaged in some interior debate. Then he came back, and slowly putting out a trembling hand, very cautiously he touched Frodo’s knee – but almost the touch was a caress. For a fleeting moment, could one of the sleepers have seen him, they would have thought that they beheld an old weary hobbit, shrunken by the years that had carried him far beyond his time, beyond friends and kin, and the fields and streams of youth, an old starved pitiable thing.

The Two Towers, Book 4: Ch8 ‘The Stairs Of Cirith Ungol’

What about Bilbo Baggins, who came back to the Shire after a year of constant travel and danger, who can’t sleep without sting in arms reach and has the words of a dying king echoing in his ears?

ink-splotch:

Bilbo, who said ‘there and back again’ like that was something you could do— like when you came home the lilac tree in the backyard wouldn’t have withered, like the children wouldn’t have learned new games, like you wouldn’t feel like a stranger in the carved halls of your home. 

Bilbo’s father had built this little hobbit hole for Bilbo’s mother and it had been an act of love. Bilbo came home and it was an act of surrender and victory all at once. The next time he went to market, he forgot a pocket handkerchief and the whole pub murmured shock when he admitted it. Bilbo looked at them—round faces, apple-cheeked and accusatory, curious. Then he wiped his nose on his sleeve, grabbed his tomatoes, and walked away. 

Bilbo had been unconscious through so much of that last battle, and now he couldn’t sleep at all. He was glad to be home, with his soft bed and his stocked pantry. “Happy to be back,” he told the neighbors, shaking hands with jolly cheer, and went on long, solitary walks but could never get quite far enough for his legs to ache properly. He tangled into in his soft blankets, smothering, and then threw all the shutters open and slept curled up on the window seat with his old once-green cloak, pretending he wasn’t alone on this cold night. 

Yes, let’s talk about Bilbo, who titled his red book ‘there and back again’ because he knew you couldn’t ever come back, not really. Writing is sometimes like wishing. When he pressed his book in Frodo’s hands, decades later, Bilbo was giving him the heart of a foolish, stuffy young hobbit. He was giving him Fili, and Kili, and Thorin, and he trusted their story to be safe in Frodo’s small hands. But that was years from now, from this little bachelor who woke from dreams where he could hear spiders coming for him. 

Death comes everywhere, even the sweet walks of the Shire. Bilbo had forgotten. Over scones and jam, sun dropping through lace curtains, Old Gaffer told Bilbo that according to Loretia Proudfoot according to Gammy Took according to Jeremiah Brandybuck, Bilbo’s silly fool cousins Drogo and Primula had gotten themselves drowned. Bilbo had not realized that death would shake him quite this hard, when his hands were sticky with this season’s strawberry jam and not rich Laketown mud. 

“They had a son,” said Gaffer, but Bilbo was barely listening, swimming in older years. Tea, untasted, was scalding his tongue. Kili had been quite terrible at making tea, and Fili might have been worse. “Freddy, I think,” said Old Gaffer. “Frolo. Something like that.”

It was not Fili and Kili who Frodo reminded him of, when Bilbo finally met the boy out in the Brandybuck clan’s rambling home. It was not the young ones who jumped to mind when Bilbo saw little Frodo, but the older dwarves, tired, the ones who had once seen their whole world burned at their heels. They had been left standing, but it was a still, shattered sort of standing, steady on exhausted feet. There was a way Thorin had had, of staring into the campfire and not seeing the campfire. 

There was a boy, big-footed with a messy mop of hair, sitting in Brandy Hall and not seeing the hearth fire flickering cheerily in front of him. Bilbo reached out, like he almost couldn’t help it, and tapped his shoulder. 

“That’s always such a long story,” said Bilbo when Frodo asked him who he was. “But they say I’m mad.“ 

Frodo surveyed the madman in front of him and told him gravely, “It’s my birthday tomorrow.” The boy was twelve by hobbit years, younger by man’s, an ancient exhaustion in his bones that Bilbo had only seen in old dwarves’ stone ones.

"Oh dear,” said Bilbo. “That’s my birthday, too." 

Even on the sweet walks of the Shire, things come along that sweep you off your feet—adventures, wizards, children. Bilbo came down, a month after he’d adopted this strange, quiet boy on a whim and a wonder, and found his whole (second) living room scattered with some unholy combination of paint, jam, and mud. Frodo sat in the middle of the mess, with dirty hands and innocence plastered all over his face. 

Bilbo leaned on the door because something in that bright grin had taken his balance from him. He went for a mop. He had not felt so at home since thirteen dwarves had tumbled through his round green door. He felt like Frodo had stolen something from him and then given it back better than it had left.

Thievery, perhaps, ran in the family.

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I feel bad for my father every time I blow up on him but he kinda always has it coming…

a little tip dad: if you’re gonna ask someone for help don’t start by saying that they really don’t do anything important in the house (despite both of us knowing it’s not true) then say you didn’t mean it like that and then say what you ask them to do is “so small it doesn’t count as doing something anyways”

doesn’t make helping you feel very nice…